I took a trip to China in 2000 with a painting program with Massachusetts College of Art. In preparing for a show there after our trip, I was influenced by the many textures and visual imagery that I had seen. I decided to paint on paper with simple line and color, and then cut the paper up. I started to play around with the paper and got the inclination to wave the different paintings together. As I explored more with the idea. I thought it would be better to have the weave stand freely rather then be sewn to the fabric. How to do that? Sticks? I am always picking up interesting sticks, so had a collection. I had also painted sticks earlier been interested in what animal or creature I saw in the stick. I also included sticks on my paintings. Soon I became more interested in the sticks then the paper. I started to play with the idea of sticks inside something, thus the small boxes. Inevitably I wanted them to be bigger, as I saw the wonderful line and pattern the sticks created unto them. I had a “Eureka” moment when I saw some old windows on the sidewalk. Perfect frames! Then I started to look for other things I could house my sticks - old bureau drawers.
I also was very influenced by my many trips to Mexico, most recently Oaxaca. Their artwork is full of pattern and color. I am also influenced by the bright colors, and brilliant light here in Vieques.
I continue my journey with sticks.
Roberta Waterston Britton
